Vimeo.com does their standard fun and entertaining coverage of IBC 2010. They show off some of the new cameras coming out soon and new video gear.
So if you live under a rock or are unfortunate to not be able to surf the Internet while at work than you might have not heard about the new iPhone 4G that was revealed during the Steve Jobs keynote speech at the World Wide Developers Conference. The device revealed was almost exactly what we saw when Gizmodo got their hands on a prototype earlier in the year. I will leave all the drooling over the details to the big gadget blogs and focus my attention to the camera and iMovie for the iPhone.
One of my first thoughts when Jobs began talking about the new iPhone being able to record, edit, and upload HD 720p video, was that this was really bad news for the Flip. I haven’t heard any recent rumbling of a new Flip camera that is going to be able to compete with the new iPhone. Their newest model the Slide mainly just added a sliding touchscreen. Last year I heard about the possibility of a Wi-Fi flip and have really, really wanted an external audio input much like that of the Kodak Zi8 to be added to the Flips.
The reason the so many people bought the Flip was because of it’s ease of use and price. It was the camera that you wouldn’t mind letting the kids play wit, and is the one that people carry around in their bags when when they need to shoot something real simple. Newer models need to stay true to their roots while adding features to keep the product line competitive with the new iPhone coming soon and other small HD video cameras like the Kodak Zi8 that are out in the market. I have to say that it doesn’t look good for the Flip, and I haven’t seen the kind of commitment from Cisco that I would like to keep improving the Flip.
What I want out of the next flip
- External Audio Input (w/ ability to turn of automatic gain control)
- Flip Ultra Form Factor: for the ability to switch out batteries, and use with other flip ultra accessories
- Wi-Fi w/ auto upload similar to Eye-Fi cards
- Live HDMI out while recording
The Electro-Voice 635 has been the go to microphone for generations of news reporters. It was designed to survive and thrive in the various conditions that news reporters find themselves in. It has a 4 stage pop filter that helps block out wind and the long handeled body is a perfect size to fit a mic flag on and still have enought handle to hold.
More and more I see reporters and producers moving to the 635’s younger cousin, the RE50. The RE50 adds some upgrades to the 635 and is the next evoultion in the product line. Both mics are in a similar price range from about 100 dollars to around 150 dollars.
If you’re looking for a good mic to do interviews and what someting with the professional touch then either of these mics are great choices.
Good lighting is key in helping improve the production value of your videos, but getting pro level equipment is very pricey. Litepanels are the drool worthy LED lights that caught the eyes of ENG photographers and new media focused content producers like TWIT and Mahalo that turned to litepanels for low power consumption and low heat producing lighting.
Litepanels LP Micro Pro
Litepanels are the original and the the lights that the pros use, but they come at a price.
Sima SL-20LX Ultra Bright Video Light
These Sima lights are one of the most affordable options and what I personally recomend. I’ve seen several people use them and for under 30 bucks it worth a shot.
Switronix TL-50 30w Dimmerable DC Powered LED Light Fixture 5600k
The Switronix is a competetor to the Litepanels and is priced and aimed to pros. It’s a little pricey like the Litepanels, but has really good battery life and puts out a lot of light.
Flashpoint Shoe Mountable LED 70 Video Light with 4 Leaf Barndoor.
This is a larger LED light with adjustable barn doors for focusing the beam of light. Seems like a good bargin at 70 bucks, but I haven’t heard much from people that have used the light.